Dan Matthews

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Europe / United Kingdom / York

Photographer male / 43
 
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Eva Seraph / Fashion / Beauty photography by Photographer Dan Matthews ★4 | STRKNG

Eva Seraph - © Dan Matthews
Eva Seraph

 
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Keira - Infrared / Nude photography by Photographer Dan Matthews ★4 | STRKNG

Keira - Infrared - © Dan Matthews
Keira Lavelle

 
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High Sweden Bridge / Landscapes photography by Photographer Dan Matthews ★4 | STRKNG

High Sweden Bridge - © Dan Matthews

 
1
Keira / Nude photography by Photographer Dan Matthews ★4 | STRKNG

Keira - © Dan Matthews
Keira Lavelle

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Bethany / Fashion / Beauty photography by Photographer Dan Matthews ★4 | STRKNG

Bethany - © Dan Matthews
Bethany Black

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Wooden Door in Infrared / Fine Art photography by Photographer Dan Matthews ★4 | STRKNG

Wooden Door in Infrared - © Dan Matthews

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Mine Rails / Fine Art photography by Photographer Dan Matthews ★4 | STRKNG

Mine Rails - © Dan Matthews

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Loula Cherry / Nude photography by Photographer Dan Matthews ★4 | STRKNG

Loula Cherry - © Dan Matthews

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Eva Seraph / Nude photography by Photographer Dan Matthews ★4 | STRKNG

Eva Seraph - © Dan Matthews
Eva Seraph

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Bethany in Infrared (v.2) / Nude photography by Photographer Dan Matthews ★4 | STRKNG

Bethany in Infrared (v.2) - © Dan Matthews
Bethany Black

Bethany / Fashion / Beauty photography by Photographer Dan Matthews ★4 | STRKNG

Bethany - © Dan Matthews
Bethany Black

Bethany Black / Fashion / Beauty photography by Photographer Dan Matthews ★4 | STRKNG

Bethany Black - © Dan Matthews
Bethany Black

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High Sweden Bridge in Infrared / Landscapes photography by Photographer Dan Matthews ★4 | STRKNG

High Sweden Bridge in Infrared - © Dan Matthews

Farm Door - Buttermere / Fine Art photography by Photographer Dan Matthews ★4 | STRKNG

Farm Door - Buttermere - © Dan Matthews

Eva / Fashion / Beauty photography by Photographer Dan Matthews ★4 | STRKNG

Eva - © Dan Matthews
Eva Seraph

Bethany Black / Fashion / Beauty photography by Photographer Dan Matthews ★4 | STRKNG

Bethany Black - © Dan Matthews
Bethany Black

Pink Suit / Fashion / Beauty photography by Photographer Dan Matthews ★4 | STRKNG

Pink Suit - © Dan Matthews
Sugar & Spice

Sugar & Spice / Fashion / Beauty photography by Photographer Dan Matthews ★4 | STRKNG

Sugar & Spice - © Dan Matthews
Sugar & Spice

2024-12-18 22:35 
I / Nude / nude,figure,ruin,castle
I
II / Nude / nude,figure,ruin,castle
II
III / Nude / nude,figure,castle,ruin
III
IV / Nude / nude,figure,castle,ruin
IV
V / Nude / nude,figure,castle,ruin
V
VI / Nude / figure,nude,castle,ruin
VI
VII / Nude / nude,figure,castle,ruin
VII
VIII / Nude / nude,figure,castle,ruin
VIII
XI / Nude / nude,figure,castle,ruin
XI
Participants: Keira Lavelle

Keira of the Castle

Series of images taken at a ruin in North Yorkshire (UK) this summer (Sept 2024).

Strong sunlight gave particular challenge, influencing the editing approach, but helped define the strong contrast between model and stonework.

Equipment
- Canon 6D Mk I
- Canon 70-200 F2.8 L Mk 1

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2024-11-23 17:20 
I / Nude / infrared
I
II / Nude / infrared
II
III / Nude / infrared
III
IV / Nude / infrared
IV
V / Nude / infrared
V
VI / Nude / infrared
VI
VII / Nude / infrared
VII
Participants: Keira Lavelle

Infrared Nudes

This year I had the opportunity combine art-nudes with my landscape and fine-art infrared photography.

I had previously shot a model outside for a single set in 2023, but this had been in fading light, in a garden. Here I worked with Keira to shoot several sets in the stunning landscapes of northern England in bright early autumn sun.

Despite battling some harsh highlights and needing to keep our wits about us for dogwalkers, the shoot went very easily and delivered a good range of images that in most cases needed very little doing with them after.

For me infrared offers something like a monochrome, but somehow still different, with hints of false colours and false tones.

Shown here are the additional captures not presently in my portfolio.

Equipment: Canon 550D with a 720nm IR filter

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2024-10-29 10:56 
Eva Seraph / Nude / mirror,nude,fineart
Eva Seraph
Eva Seraph / Nude / mirror,nude,fineart
Eva Seraph
Eva Seraph / Nude / mirror,nude,fineart
Eva Seraph
Eva Seraph / Nude / mirror,fineart,nude
Eva Seraph
Eva Seraph / Nude / fineart,mirror,nude
Eva Seraph
Eva Seraph / Nude / fineart,nude,mirror,film
Eva Seraph
Eva Seraph / Nude / fineart,nude,film,mirror
Eva Seraph
Participants: Eva Seraph

Mirror Mirror

Sometimes a location crops up that's got so much potential that it dominates a whole shoot. That is what happened when I noticed these old mirror panes propped up in Eva's shed.

Straight away we could both see the potential, albeit with some need to move things around on the opposite side of the space to make room for me to get into a decent shooting spot (part of why everything was shot from the same angle).

At the time I'd recently been inspired by editorial fashion work, hence my direction to Eva to go through both traditional figure-study poses as well as more characterful ones. Combined with the recent return to shooting with film, this gave a wide spectrum of end-results, despite the unchanged lighting & setup.


What did this shoot teach me?

Firstly, it provided a dramatic comparison of film vs digital, but helped me appreciate the positives of both. For film it was the cinematic grain adding to the sense of immersion of the 'scene'. For the digital images it was an appreciation of the detail and fidelity which is available that maybe we take for granted if we've not used analogue formats for a while (or at all).

Secondly, it was the difficulty of co-ordinating a models pose in two places. I have many favourites within this set, but in only one case for me is both the pose and the reflected pose optimal, in the rest one carries the other to a degree (the film shot with arms wider, facing the mirror).

Thirdly, heels. Traditionally I've never used heels in art-nude work, but in this case it worked well, providing extra definition in the Eva's stance, but at the same time not diminishing the art-nude feel of those images more at that end of the scale.


What would I do differently?

Given the chance to shoot this again, I would revisit not moving my position. Yes it would have taken a significant amount of effort to clear more space, but I feel that there were other great shots waiting to be taken from alternative angels or closer in.


Equipment:
- Canon 6D Mk1 / Canon 300V
- Canon 35mm F2.0
- Kodak TX 400 film

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2025-01-10 18:43 
I / Mode / Beauty / film
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II / Mode / Beauty / film
II
Participants: Bethany Black

Wrong but right?

During a recent shoot I took the opportunity to finish off the final frames I had on a test film I was running through a recently repaired camera.

As these were the only analogue shots I was taking on the day, I missed one of the key settings and got the wrong sync speed for the flash, leaving the shutter to appear in each of the frames.

For most it cut through the model rendering the shot unusable, but for a couple of them it was just close enough to see Bethany's full face. Although I'd initially dismissed the set as having not worked, I keep coming back to these two in particular.

Perhaps its the analogue feeling of them negating the problem, perhaps its the tantalising thought of the image that could have been, perhaps the dark area works somehow; I'm not totally sure why I like them, but I do.

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2024-12-31 13:43 
I / Nude
I
II / Nude
II
III / Nude
III
IV / Nude
IV
Participants: Keira Lavelle

Natural or Stylised

Today I finished editing the final set from a shoot I did in the summer.

For these last images I opted for a much more natural style, almost out-of-camera, with minimal adjustment. This contrasted with the very stylised black and white editing I've done for much of the other images from this shoot.

Personally I feel both can work, if applied to the right image, but I was curious to see if the community had a strong preference either way?

Note - I've not included any Infrared images in this comparison, as they are a different style in their own right.

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Dan Matthews


Contact


I'm a photographer based in the North of the UK. Over the years I've experimented with a variety of formats including infrared and film (both vintage and contemporary).

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